邱承宏 CHIU Chen-Hung

花架 05 Plant Stand 05

採光 08 Daylighting 08

Carousel imageCarousel imageCarousel image

《花架05》Plant Stand 05

2021,空總拾獲建築材料、混凝土、黑大理石、碳、黑鐵、金屬板、瀝青、金屬夾具、植物,尺寸依空間而定

2021, site found construction material, concrete, black marble, carbon, black iron, metal panel, asphalt, metal fixture, plants, dimensions variable


《採光08》Daylighting 08

2021,雕刻於混凝土上,60x60x5公分
2021, engraving on concrete, 60x60x5 cm


攝影:呂國瑋(片子國際有限公司)

圖片提供:臺灣當代文化實驗場

邱承宏的創作關注的時間軌跡、歷史與美學造型之間拉扯的邏輯經驗。本次作品作品試著重新思考現地空間的製作,並啟動一種晦暗的詩意工程。在作品《花架05》中,蒐集空總原建築體中那些剝落的磚牆與瓦片,結合數種礦物、瀝青為元素所製作而成相依的結構體及盆器,並在裝置中種植植栽。在作品《採光08》中,試圖以空總廢棄防空洞為對象,依照其中的一扇窗外的風景,構圖製作成浮雕。本計劃試圖梳理現存空間與過去的關係,將毀棄與野生、蒼白與浪漫的遐想疊合,轉化了歷史空間中隱含的人與植物之間的關係。


CHIU Chen-Hung’s oeuvre revolves around the logical tug-of-war among time, history, and aesthetic style. Attempting to rethink the making of in-situ spatial installations, he embarked on an implicitly poetic construction. To create the work Plant Stand 05, he firstly collected the spalled bricks and tiles of the original buildings at the former Air Force Command Headquarters, and then he mixed the fragments with several minerals and asphalt, so as to produce the structure and plant pots that are interdependent in the installation. The work Daylighting 08 is a relief carved according to the scene outside a window of the abandoned air-raid shelter at the former Air Force Command Headquarters. Aiming to collate the relationship between the existing space and its past, this project blends the deserted scene with wild, pale, and romantic reveries, thereby transforming the hidden relations between people and plants in this historical space.

藝術家介紹 About the Artist

邱承宏的創作多以裝置、雕塑的方式呈現,就像是進行一場考古探險般。他善於挖掘生存時空曾經存在的身影與軌跡,並透過抽象的手法重新演繹那些被合理化及設計過的邏輯規則,將它們生動地重塑,藉此發展出一套巨大的記憶修補術。

CHIU Chen-Hung’s oeuvre often takes on the forms of installation and sculpture. Similar to an archaeological expedition, he is adept at excavating the traces of figures ever existed in a given space and reinterpreting rationalized and planned logical rules with abstract techniques. He tends to reshape them in a vivid manner, thereby developing a grand method of memory mending.

指導單位 Supervisor|文化部 Minister of Culture 主辦單位 Presenter|臺灣當代文化實驗場 Taiwan Contemporary Culture Lab