蕭有志 HSIAO Yu-Chih

《櫃之家》原是 2016 年受忠泰美術館委託製作的Home 2025戶外展覽「資訊站」，當時核心的想法即是以此件作品示範如何以「創作」取代「設計」，藉由導入「大量交織」的創作概念，提出以木作櫃體的家具工藝介入微型建築的生產，並將資訊站本體也成為展覽作品的一部份，也扣合當時「家」的展覽主題，將此一資訊站想成一處居所。本次展覽企圖再次示範「大量交織」的概念，藉由臉書社團「大量交織」蒐集來的免費二手家用品，將這個失去用途的資訊站與被拋棄的各種家用品重組為一個二手家屋，企圖探討這個資源滿溢的時代「人」與「居所」的交互關係。

Cupboard House originally served as the “information center” commissioned by the Jut Art Museum in 2016 for its outdoor exhibition Home 2025. This work was taken as an illustrative example of how to substitute “creation” for “design” at that time. By introducing the creative idea of “massively interweaving,” the artist intervened in the production of micro-architecture with the furniture craftsmanship of wooden cupboard, and transmuted the information center per se into an exhibit of the exhibition. In order to dovetail with the theme of “home,” the artist also conceived of the information center as a dwelling. In Project: The Folly, the artist seeks to demonstrate the idea of “massively interweaving” once more. By collecting free second-hand houseware via the eponymous Facebook group, the artist has reconstructed a second-hand house with the abandoned information center and houseware of every stripe, so as to investigate the relationship between “humanity” and “dwelling” in the age of overflowing resources.