戴翰泓 TAI Han-Hong

「它沒有消失，只是失去了一個維度。」

空間的成立，是因為其背後有一套既定的規則和秩序。空間在我們的社會中，可約略地被劃分為政治的、經濟的，或是其他各種性質的類型。每一個系統，都擁有一套既有的知識體系，當這些系統從空間中被抽除之後，空間的性質也隨之變得模糊而曖昧。

美援大樓建於 1950 年代，原為辦公大樓，但隨著園區進駐單位的遷移，原有空間的功能也隨之改變。空總的空間因歷經研究、軍事、文化與生活等不同面向，使得其空間性質變得多義而發散。《從一個角落到另一個角落》倚賴觀眾與作品的連動，作品藉此提問，空間的維度與賴以成立的條件，是建立在什麼樣的基礎上，並因此存在？

“It does not disappear, but just lost a dimension.”

The formation of a space is determined by a given set of rules and order. In our society, spaces can be roughly divided into political, economic, or other types. Each space has its specific knowledge system. A space will become blurred and ambiguous once its knowledge system is detached from it.

Built in the 1950s, the Art Space V was originally the office building of the former Air Force Command Headquarters. Subsequently, its function (ranging from research and military to culture and life) has varied with the change of resident institutions over the course of time. This space is ergo polysemous and divergent in terms of its properties. The work From One Corner to the Other sets great store by its interaction with the viewers, thereby proposing the question concerning the very foundation for the establishment of the spatial dimension.

藝術家介紹 About the Artist

戴翰泓的創作形式多元，涵蓋建築、雕塑到動力機械等類型。他的作品常常在優異的技巧之外，深入探尋藝術的本質、物的本質與空間的本質。偶爾也以詩一般的藝術語彙，對已然被異化的生活狀態提出敏銳的觀察。戴翰泓的靈感源自於生活，並反向以創作詰問生活，他持續以創作反覆辨證，讓藝術交錯來去於其自身與真實生活之間的界線。

TAI Han-Hong’s oeuvre encompasses multiple forms such as architecture, sculpture, and kinetic machines. Apart from embodying his extraordinary skills, his works often probe deep into the nature of art, object, and space. He may occasionally make astute observations on the already alienated state of life with artistic vocabulary so beautiful as poems. TAI’s oeuvre owes much of its inspiration to his own life experiences, at which he fires questions through artistic creation. His dialectical thinking finds vivid expression in his creative practice that continues to shuttle between art and real life.